About Me
Production design is where imagination becomes tangible. It’s the craft of building believable worlds — places that don’t just look right, but feel right. Story and design guide every decision I make as a filmmaker. Through shape, color, texture, and space, I create environments with one clear aim: how the audience should feel.
Most recently, I served as production designer on FBI: Most Wanted, an out-of-the-box procedural where each episode carried its own point of view, visual language, and pace. The series demanded fast, kinetic design solutions in support of ambitious stunts and visual effects. This work contrasts sharply with Harlem, where I was production designer for two seasons. A vibrant, character-driven comedy, Harlem is bright, modern, and rooted in the lives of four African American women. Moving between these distinct worlds reflects the range of my work — and my interest in continually expanding it.
I bring over 20 years of experience in the art department, including 14 years as a lead decorator on acclaimed film and television projects. My work includes Mr. Robot, The Leftovers, Dead Ringers, Motherless Brooklyn, and When They See Us. I’ve had the privilege of working with directors such as Ava DuVernay, Sam Esmail, Mimi Leder, and Jason Bateman.
I began my career as an intern and progressed through every level of the department — from art department coordinator and set dresser to assistant set decorator, set decorator, and production designer. That path gives me a clear understanding of how productions function and allows me to balance creative ambition with schedules, budgets, and logistics. I value leadership that is prepared, collaborative, and detail-driven. I’m only as strong as the crew I work alongside.
Travel remains central to my creative perspective. Experiencing different cultures continually reshapes how I see the world and informs the environments I design. I’ve lived and studied theater in Dublin, Ireland, and earned my graduate degree from the London Academy of Music & Dramatic Art in London. Living abroad has been integral to who I am today and continues to influence the stories I help bring to life.
Partnership is at the heart of my work. I’m drawn to creative relationships based in trust, curiosity, and a shared commitment. Whether designing grounded realism or more stylized worlds, my focus is always clarity, intention, and story.
I am a proud Member of the Set Decorators Society of America, the Motion Picture Studio Mechanics Locals 52 & 829, and have a European Passport and Citizenship.
Awards and Nominations (As Set Decorator) Winner of 2020 Satellite Award for “Motherless Brooklyn”, 2017 Art Directors Guild nominee for “Mr Robot”